US Concert Tours: The Event of the Season Live concerts form a significant industry in the United States, as they offer musicians a way to generate income from their performances while ensuring that audiences all over the country can watch their favorite artists perform live. Unlike some other parts of the world where concerts are mainly held during festival times, tours are constant throughout the year in the US mainly because of its size and the fact that there are people in almost every state.
The summer is one of the busiest seasons for large-scale concert tours involving prominent performers. During summer holidays for instance in schools, families can attend shows since schedules are more flexible. Outdoor concert venues such as amphitheaters and festivals are also more prominent during the warmer months providing the venue of vacation integrated into the design. Those artists who can attract large audiences sufficient to fill large arenas go on tour in May or June at the earliest and the tour runs till at least August while others perform in small theaters and clubs throughout the length and breadth of the country. Summer concert listing runs the spectrum from Pop stars playing amphitheaters and giant amphitheaters to indie bands playing in bars in college towns.
Since most major cities have concerts all year round – often at venues of varying size and caliber across the entire country – artists can strategically schedule tours that hit fans during certain times of the year. However, the autumn is not devoid of stadium phenomena of Bruce Springsteen and the E Street Band or successors of the bands similar to Kiss. By September, new albums are released to compete with each other and other forms of culture in society. The last couple of weeks in the autumn and through December is a popular time for theater tours especially those with Christmas runs performed in song.
While there were usually not many concerts during the winter besides the holiday residencies, the period from January to April has filled with tours more in the past decade. Initial fests like Coachella have acquired the prestigious image of tastemaker festivals. The release of new songs helps artists benefit from the summer festivals and year-end industry indicators, which makes the spring album release schedule more congested. Also, artists can make a living touring play when they can - and heating systems make most American venues possible year-round except for festivals in cold climates. The live draw also matters more as the record industry shrinks. Winter tours have now become a usual thing, artists who have been in the industry for some time are now able to arrange tours during the winter.
Which coastal and non-coastal markets dominate US tourism? As expected, Los Angeles, New York City, and Chicago get the most shows since they comprise three major metropolitan areas that are also cultural hubs. However, each territory also possesses a circuit of premier facilities, as well as backing for miscellaneous formats. As you dissect the tour routes here, you see how the artists are getting to the right-sized rooms in the right places geographically.
The Northeast Corridor alone, containing over 50 million residents from Boston down through Philadelphia into Washington, D. C., sees a high density of dates with numerous mid-size venues backed by arenas in Boston, New York, and D. C. Philadelphia retains such smaller theaters as the Fillmore, TLA, and Union Transfer as important places for developing bands. For the other regions that are not considered the heaviest cities, artists looking to be exposed in the Northeast can easily move from one connect dot to another along the I-95 corridor that will lead to Portland, Providence, New Haven, Sayreville, Albany, Pittsburgh, and Richmond.
The artists that will remain east of the Mississippi River will ensure that they visit a section of the Midwestern tour. Decades of proven draws with the Rust Belt cities of Detroit, Cleveland, Cincinnati, Milwaukee, Indianapolis, Minneapolis, and St. Louis still can burn with the blues and rock scenes. Chicago remains the undisputed king of the Midwest. Some Midwest routing is smart; it connects Louisville, Columbus, Kansas City, Omaha, and Des Moines, as well as other, lesser Illinois, Iowa, or Missouri college towns. Outdoor sheds enable bands to increase market coverage during warm seasons. If the crossing goes west, Denver, Salt Lake City, and Albuquerque join other progressive mountain town crowds as the through route to the Pacific.
It only makes sense that the West Coast gets a large chunk of annual dates from up-and-coming bands and legends due to the massive populations of the Los Angeles, San Francisco Bay, and Puget Sound areas. This encompasses small bars such as those in Silver Lake large theatres like the Hollywood Palladium more colossal venues like the Forum and SoFi Stadium with a capacity of over 70,000. Larger outdoor venues such as the Greek Theatre, Shrine Expo Hall, and Santa Barbara Bowl stand out. The legendary Fillmore in San Francisco is a notable absence not to mention Oakland’s Fox Theater and venues of all sizes in lively surrounding cities. Seattle remains indie-cool via such rooms as Neumos while the bands that played there are still filling arenas to the brim decades later. Portland and Vancouver add to the Pacific Northwest scene as secondary markets such as Phoenix, San Diego, and Las Vegas supplement seasonally with residencies and single appearances.
The 21st-century concert industry permits musicians to reach fans in such locations as Park City, Missoula, Myrtle Beach, Gatlinburg, and other places such as ski towns of the Rocky Mountains. Professional touring artists paint the country touching the anticipated large cities while covering all bases to fill all areas. Supply enough demand for an entire city like Washington, Memphis, Charlotte, Tulsa, and more, or any other regional hub, and bands are constantly on the road, crossing the states ceaselessly. Many an international fan envy the embarrassment of musical riches American fans relish providing the basis for the stalwart tours that sustain musicians of all stripes all year round. If it can bring an audience, it probably passes through the extensive and diverse American touring circuit at some point.